Throwing Water
July 13, 2010 by Eli

So it has been a long time since my last post… my apologies. I have been working hard on editing my enormous backlog of photos. I had literally thousands of photos that needed to be sorted out, not to mention all the post-production work. If you look through my galleries, you will notice that there are almost twice as many galleries as there were before. Please check them out if you are so inclined. I am finally done with most of my backlog, and seeing as it has been a while since my last serious photo shoot (way too long in fact), I thought I would dive back in with something fun and highly experimental.

I had been experimenting in the past with taking pictures of water in mid-air. I put my camera on a tripod with my 70-200mm (f/4 L) set to 200mm so I could set the camera as far away from the splashing water as possible. I then set up a tripod of bamboo to serve as a target to throw the water over (otherwise you would have difficulty getting anything in focus). I set a high shutter speed and as narrow an F-stop as I could given the available light (for better depth of field) to try and capture the water in sharp detail. I had taken many pictures that I thought were great at the time (it’s been over a year), but after looking back through them with a now more critical eye, I decided none of them were good enough.

Yesterday I decided it was time to really give it a go and see what I could come up with. I got my camera all set up on a tripod just inside the doorway to the building and clamped a 2×4 to the staircase railing outside to serve as my target. Unlike last time when I used a cable release, this time I used one of my radio-triggers inside a ziplock bag, giving me freedom of movement and protecting my expensive gear from the water. After changing into a bathing suit, I spent the majority of the day using a pint-jar to throw water at the end of a 2×4, much to the confusion of all the bystanders. After throwing jars full of water for hours on end, and filling up an 8GB memory card, the sun (my light source) was setting and I was getting pretty hungry, so I decided to call it a day.

After eating dinner, I was looking at the images I had taken, and really wanted more contrast. I liked the images, but in many of them, the sky was distracting from the subject matter. I decided I would throw some more water, but this time use a strobe to illuminate the water, giving me a completely black background and highlighting the subject. I set up my camera as before and clamped the 2×4 to the railing. I then went about creating a Frankenstein lighting contraption that I could clamp to the door. With one of my strobes, a radio trigger, a piece of wood, a few screws, an enormous zip-lock bag, some ball-bungees, and some quick-grip clamps, I made my super professional-looking “waterproof clip light”… awesome. After several more hours of throwing water at the end of the 2×4 and a now sore back, I had amassed another 4GB of images. Counting the number of buckets of water I used over the course of the day, I figure I threw over 100 gallons of water at the end of a 2×4… anything for art, right?

Coming back to my studio today, I went about the task of sorting and post-production, narrowing 1038 images down to 19 of my favorites – such is to be expected when you have such an experimental process. While the day and night images have decidedly different looks, I think the feel of the images is similar, and so I am including them all in the same series.  I call the series “Free-Form Water”.  Let me know what you think.

Thanks, Eli

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Bell-Mouth Spillway exploration.
April 19, 2010 by Eli

Before I get into this story, let me give you a little background.  There is an entire group of people out there (I happen to be one of them) who call themselves “Urban Explorers.”  We get a thrill from checking out the hidden-away, man-made structures that most people never get the chance to see.  From abandoned buildings, to storm drains, and everything in between, we enjoy finding out more about what is and what once was by exploring the remains of forgotten human accomplishments.  Now don’t get us confused with the punks that vandalise abandoned building.  Sure, what we do might be viewed by some as trespassing, but our purpose is simply one of innocent exploration, and once we leave, we leave with everything the same as when we arrived.  Just like in other outdoor sports that I participate in such as hiking, kayaking, or caving, real Urban Explorers try to practice responsible Leave No Trace Ethics. As we say “Take nothing but pictures, leave nothing but footprints, & kill nothing but time.”  We do it purely for the exploration and discovery that comes from seeking out such places.  With that said, please read on.

I should have posted this some time ago, but I have been pretty overwhelmed with work and not gotten a chance to finish editing the pictures until now.  A while back, me and a group of other Urban Explorers ventured into the depths of a bell-mouth spillway.  What is a bell-mouth spillway you might ask?  It’s a giant concrete structure forming a hole in the ground.  Check it out on the good old Wikipedia here:

Bell-Mouth Spillways on Wikipedia

So after meeting up that morning and driving out to the location (and no, I’m not going to tell you where it is), we got all geared up and made our way to the edge of this behemoth.  most people just decided to use a boat and paddle into it from the bottom, but three of us with vertical experience decided to rappel into it from the top.  After rigging ropes, we got over the lip and started rappelling in from opposite sides.  I of course took my camera with me, locking off my rappel rack and taking pictures every 50′ or so.   How deep was this thing?  Well, my rope is 360′ long and there was only about 30′ of rope at the bottom.  After taking into account some rope length for rigging and going over the lip, I would estimate it was right around 300′ deep.  Not too shabby.    We were clearly not the first people to rappel into this thing… not only were there bolt anchors in both sides of the spillway, but there were also rope grooves worn into the concrete lip just above the bottom.  I see these types of grooves pretty often in caves where the rope has widdled its way through the stone, but I think this was my first time seeing them in concrete.

So we get to the bottom, get off rope, and start exploring this huge tunnel in the earth.  I would estimate the diameter of the tube at right around 30′ in most places.  This thing is seriously huge!  Somewhere near the middle of the tunnel, there is a junction where the auxiliary dam release comes in from the side.  After taking some pictures at the junction, we head up the junction tunnel about 100′ to where the auxiliary release tubes are.  There is a massive 15′ tall concrete barricade between us and the release tubes, so we go about trying to find a way to get over.  We agree that using any kind of grappling hook risks damaging something (which would both be against our ethic, and pretty stupid when in front of release valves at the bottom of a 250′ lake), so we set about trying to make some sort of rigid structure to climb over with.  We find some metal pipes (they look like hand rails) within the debris in the main tunnel and bring them back to the barricade.  After several failed attempts, we put together a Dr. Seuss looking ladder-type-thing, and using my spider-monkey skills, I manage to climb to the top.  After getting some rope and vertical gear thrown up to me, we get a few more people up top and take some pictures.  The scene is just spooky with water hissing out of the rivets of the release tubes from every angle due to the immense pressure it’s holding back (a quick calculation reveals over eight atmospheres of pressure!).

After getting some good pictures near the release tubes, we head back out to the main chamber to facilitate our exit.  Before we go, I decide to take some pictures of the tunnel in both directions to later process using HDR (high dynamic range).  Everyone else (including my dog Taro) decides to takes the boat out the bottom and walk up to the top.  Not wanting to pass up the opportunity to climb a perfectly good rope, I decide to climb back out the way I came in.  The drip-line was brutal and by the time I got up the first 80′ or so, I was already soaking wet.  Whatever, I don’t believe in misadventure… only adventure :-)   After 300′ of rope climbing, I was at the top and ready to de-rig.  All in a good day’s work.

Here are some of the pictures from that day:

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Peace, Eli

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Asheville Ice-House Photo Shoot
April 7, 2010 by Eli

OK, so I’m a photographer.  I shoot fine art nudes.  As a result I am always looking for people to model.  Last week, I was fortunate enough to find someone interested in modelling.

I had recently discovered a fantastic abandoned building here in Asheville.  I think it was an old ice house or something.  Most of the rooms were insulated with layers of cork and Styrofoam.  There were huge refrigeration units that once carried refrigerant up to the cold storage rooms.  I’m not sure how long the place has been abandoned, but there are plants growing inside the building, walls are falling down, some of the floors have fallen through, and you can pretty much enter from any side of the building.   Perhaps not the safest place for a photo shoot, but I’m not a person adverse to a little danger, and besides, the place is visually stunning.

So I meet up with the guy who had agreed to model, we drive to the building, and I walk around for a while trying to decide on the first shoot.  I decide to get him in a window/portal of some kind and shoot back into the large room.  I want a dramatic look, so I throw a strobe directly behind him as a back-light, rigged up with a radio trigger.  I decide to shoot with my 100mm f/2.8 macro because I just love how sharp that lens is.

Once I get the images I want, we start looking for other great visual backdrops that I can juxtapose a human form against.  The building is so complicated and there are so many options, that I don’t have a hard time finding great landscapes, but rather have a hard time deciding which ones to shoot in the limited time my model has available.  We shoot several more scenes, but he’s on a schedule so we have to stop with just a few images.  I pack up all my gear and we part ways.

A couple days later I am delighted to get a call from my model.  He says he had fun at the last shoot and would like to model again.  I have an unpredictable schedule, so of course I try to make things happen as soon as possible.  Within a couple hours, I meet him back at the ice-house and we get ready for another shoot.

I start by re-shooting an image I did not quite get to my liking the first time.  The light is harsh and the shadows dark, so I bracket my exposures in hopes of making a good HDR to level everything out. I work on a couple shots, trying some diferent ideas until I’m convinced that I have the images I want.

I decide I want to move upstairs into some of the old refrigerated rooms.  Of course there are no windows so the rooms are dark, cold, wet, and of course dirty as hell.  I do allot of cave photography (or at least I did before White Nose Syndrome) so I am used to shooting in totally dark environments.  On the one hand, you can’t see what you are doing, you are entirely reliant on your own lighting, and you have to use a laser to get the camera to focus, but on the other hand, you can completely change the way things look by how you set up your lighting.

After several shots in the large room and managing to not get my model injured, I decide to shoot down one of the hallways.  It’s filled with boards and old cork insulation, but at the end of the hallway, there is a chair facing the wall… damn creepy.  I set up my lights, get him to sit in the chair, take a few shots, and one of my strobes decides to stop working  :cry:   My model has other obligations anyways, so we call it a day.

Over all it was a pretty successful shoot.  The model had fun, I got some great images, and no one got injured or arrested for trespassing :-)   Anyways, here are some images from those two days:

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TED-x Greenville
March 12, 2010 by Eli

Friday, March 5, 2010 was the date of the first annual TED-x Greenville conference.

I was asked to be the official photographer for the event, for which I am honoured.  It was quite a privilege.  The conference was fantastic, lasting all day and showcasing a number of inspiring speakers and performers.  You can read more about the conference on their website: http://www.tedxgreenville.com/

Here are the picture for your viewing enjoyment.  Just click on a thumbnail to zoom and pan through the images.  If you were a presenter and would like me to send you some pictures, please shoot me an email (eli) or contact me through my contact page.

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Still Working…
March 5, 2010 by Eli

I know this should have been done a long time ago, but I am still working on getting my site up and running.  I do have a good excuse though.  A couple weeks ago, I had my computer stolen, and just got my new one a couple days ago.  After installing Linux (sorry Windows users, but I’m open source all the way), getting all my drivers working, getting all my favorite programs installed (except for Cinapaint), and calibrating both my monitors, I am finally able to start working on my site again.  I have the layout mostly the way I want it, but I still need to do allot of work filling in the content.  Check back in about a week, and I should hopefully have some more galleries up, along with some actual content on the other pages.  Let me know with a comment to my blog if there is anything you would like to see, or if my site is not working properly.

Thanks, Eli

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Please be patient
February 14, 2010 by Eli

I am still working on getting everything set up on my website, so please be patient while I get things going.  Feel free to leave comments.

Thanks, Eli

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